October 18th
Dashur and Cairo
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Having firmly established that I'm
a wimp of the first order, we pack up and leave the lovely "camp", headed
for the airport at Sharm. A short flight later, we arrive in Cairo
again. We immediately head across the Nile to
Dashur
, one of the pyramid sites south of Giza. These are lined up a row,
from Meidum to Dashur to Saqqara to Giza. Dashur is home to two lovely
pyramids, but is infrequently visited. It has only been open to the
public for the last few years, as it was previously on the site of a military
base. Even now, the fence indicating the edge of the base is perhaps
100 feet from the pyramids. The road from the village has checkpoints
before the pyramids, and there are guard towers along the fence ensuring that
the tourists remain firmly in the right location. Given the length of
the drive and the somewhat unwelcoming situation, most tourists don't venture
this far. It's too bad, actually, because it's nice to see pyramids
that aren't surrounded by touts and guides and hordes.
The Bent
pyramid of Dashur is the first smooth-sided pyramid, chronologically between
the Step
pyramid of Saqqara and the
Great
pyramid of Giza. It was on the Bent pyramid that the architects of
Egypt learned the optimal angle for stability. The first part of the
pyramid is built at an angle of 54 degrees, then halfway up it changes to
the shallower 43 degree angle used thereafter. Clearly the early construction
was too steep and unstable. Despite the odd shift, this pyramid is
well-preserved. The blocks used here are of moderate size, between
the small, brick-like size of Saqqara and the mammoth blocks of Giza.
Nearby is the Red
pyramid, the earliest "true" pyramid. It is built of local red stone,
and has a distinctly different color. The interior chambers are open
to visitors, and echo the contruction of the Great pyramid at Giza. However,
due to the low volume of visitors, it is much easier to gain access and to
really look at the chambers, despite the intense heat. As we climb inside,
we hear a series of muffled booms. Visions of falling stones and being
trapped go through my head, until I realize it's just the echo of artillery
fire from the range next door. Better?
After this brief visit back to the Old Kingdom, it's time to return to the
(relative) current day, to Old Cairo. This section of town dates back
to the Romans, and features many small early Christian churches, a few synagogues,
and a warren of tiny houses in the Coptic quarter. There is a Coptic
museum, closed when we were there, which is supposed to be quite good. The
most impressive sight to me was the Ben-Ezra synagogue, built on the site
of an early church and now restored by local historians, mostly Islamic. During
reconstruction work about a century ago, a large collection of early Hebrew
documents was found that has provided a great deal of insight into this early
Jewish community. Several of the churches are part of the legend of
Mary and Jesus, who traveled through Egypt during Jesus' childhood. Unfortunately,
as the water table of Egypt rises, many of these buildings are now flooding.
It's a unique place, one deserving of more restoration.
We retire to a modern hotel on the Nile, closer to the center of town. CNN
tells us that the Red Sox are out of the race for the World Series (sigh),
and that Ahnold is really, no kidding, governor. Sure, why not? Somewhat
against my advice, after dinner we go to the Son et Lumiere show at Giza.
This was featured in a Roger Moore Bond film, which I recommend you
see if you want to capture the full, cheesy experience. The best way
to view the Son et Lumiere is from the bar in the back, where you can laugh
without offending anyone. It's a 45 minute experience of loud booming
noises, an insipid and self-important voiceover, with colored lights and laser
pictures painting the Sphinx and the pyramids. It's actually a tad
embarrassing, considering how long these monuments have stood quietly in
the desert. Many tourists love the show, and constantly try to take
pictures of the colored lights on the pyramids, despite the absolute impossiblity
of them showing up on normal film. Many forget to turn off the automatic
flash feature of their cameras, adding to the epileptic seizure possiblity
of the whole experience. Some very funny Aussies sit behind us and at
one point get a great shot of Steve's head. They laughingly show it
to us before giving up on photography in favor of beer drinking. Excellent.
The only way to get through the horrible quality of the voiceover is
through mockery. Steve and I move into full MST mode, but sometimes
the script itself is impossible to improve. The pyramids are, apparently,
the trimuph of the line over all other geometric forms. Discuss.
Son et Lumiere has become a company in and of itself, and they produce shows
at all the sites of Egypt -- Luxor, Karnak, even now Abu Simbel (viewed from
a boat, I hear). The shows are in multiple languages, and they generally
run three a night at Giza. It's the sort of thing one probably must
do for the full Egypt experience, but I really do hate the darn things. I
also have enormous sympathy for whoever lives in the apartment buildings right
at the foot of the Sphinx. Can you imagine?
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